Album Artwork By Heather Gabel
All photos by Ebru Yildiz. More available on request, including exclusives.
New York City, NY (June 24, 2020): What if the antihero in your favourite film or book had no chance to repent, reconcile, or redeem himself? There’s no victim to rescue. There’s no evil to thwart. There’s no tyranny to turnover. Instead of saving the day against his better judgment, he just walks a Sisyphean circle of existential malaise doomed to repeat yesterday’s vices without the promise of a better tomorrow. Rather than tell this story on the screen or on the page, Uniform tell it on their fourth full-length album, Shame. The trio – Michael Berdan (vocals), Ben Greenberg (guitar, production), and Mike Sharp (drums) – strain struggle through an industrialised mill of grating guitars, warped electronics, war-torn percussion, and demonically catchy vocalisations.
For the first single, they hit us with the album’s massive opener “Delco” which fuses guttural distortion to haunting chants buttressed by muscular percussion. Short for ‘Delaware County,’ the track reflects on Berdan’s upbringing in a suburb west of Philadelphia and how beatings and bullying by the local hellraisers taught him how to keep his guard up and navigate a violent world.
Berdan reveals, “During my adolescence I would get routinely picked on and beat up by some of the kids in the neighbourhood who I desperately wanted to like me. The more beatings I caught, the more I’d go back to try and impress them. My self esteem was nonexistent and I developed psychological calluses. I learned to repeat some of the behaviours that had been levelled my way on those beneath me in the pecking order. In time, I became numb. Getting older and attempting to reconcile with personal demons surrounding depression, anxiety and substance abuse has forced me to take a long, hard look at my childhood. In the process I’ve realised to degrees just how I’ve perpetuated learned cycles of harm. A terrified part of me is still a little kid in Delco. This song is an exercise in trying to come to terms with these ghosts and let go. Some days are better than others.”
“Thematically, the album is like a classic hard-boiled paperback novel without a case,” says Berdan. “It focuses on the static state of an antihero as he mulls over his life in the interim between major events, just existing in the world. At the time we were making the record, I was reading books by Raymond Chandler, James Ellroy, and Dashiell Hammet and strangely found myself identifying with the internal dialogues of characters like Sam Spade and Philip Marlowe.”
The lead-up to this moment proved just as intriguing as any of those characters’ exploits. Born in 2013, Uniform bulldozed a path to the forefront of underground music. Following their acclaimed works Perfect World (2015) and Wake in Fright (2017), the group’s third offering, The Long Walk (2018), represented a critical high watermark. In addition to touring with the likes of Deafheaven and Boris, they joined forces with The Body for a pair of collaborative albums – Mental Wounds Not Healing (2018) and Everything That Dies Someday Comes Back (2019) – as well as the live release, Live at the End of the World (2020). When it came time to pen Shame, Berdan made a conscious decision to include lyrics, marking a first.
“I wanted my words to carry a degree of weight on this record,” he says. “Books and cinema have always been integral to my life, and that is often because of how I relate to the themes and characters therein. I am naturally shy and terrified of being misunderstood. This time around, I endeavoured to trudge through those fears in order to explicitly articulate what goes on in a dreary corner of my inner life. To put it plainly: I was in a dark place. It was the culmination of years of thinking everyone in the world was wrong, but me. I realised that I couldn’t control the attitudes and behaviours of other people, but it was my responsibility to look inward and fix what was there. I had to articulate what was going on in my heart, my head, and my soul. Like all benzodiazepines, Ativan https://ecuaexperience.com/buy-generic-ativan-lorazepam-online/ is classified as a controlled substance, meaning that its storage and use is regulated by the government. Ativan may be subjected to violence that will lead to physical or psychological dependence. As I set about the task of writing everything down, I experienced exorcism. If I wanted any kind of reprieve, I had to let go of the narrative that the demons in the back of my head had been constantly whispering to me. For years I held onto my lyrics like personal diary entries. Now is the time for a different approach.”
This record marks the debut of Mike Sharp on drums, adding a natural fire to the engine. His presence grinds down their metallic industrial edge with a live percussive maelstrom. Once again, Greenberg assumed production duties behind the board at his studio, Strange Weather. Building on the approach from their last LP, the band perfected the powerful hybrid of digital and analog, electronic and acoustic, synthetic and actual that has become their hallmark. In another first, mixing duties were not handled by Greenberg, but rather handed off to the inimitable Randall Dunn at his studio Circular Ruin. This time around, Dunn’s fresh set of ears pushes their sound to its limits, giving us Uniform’s most powerful records to date.
Shame sees its release September 11th, 2020 via Sacred Bones. There will be limited edition LP colour variants available. For more info and to pre-order go here. Keep up with the latest Uniform updates on Instagram here.
Shame Track Listing:
1 – Delco
2 – The Shadow of God’s Hand
3 – Life in Remission
4 – Shame
5 – All We’ve Ever Wanted
6 – Dispatches from the Gutter
7 – This Won’t End Well
8 – I Am the Cancer